yamaha saxophone comparison
yamaha saxophone comparison
Yamahas tend to be warmer than the selmers and if you like your purple logo 62 then it might be worth just sticking to it and getting to know it inside out. He also tried a P. Mauriatwhich he liked the least. Special thanks to Jonathan Goldman, Yamaha USA Product Manager Wind Instruments, for helping to clarify this wonderfully muddy topic. Really sad story but its true. That first Mark II 62 alto was offered internationally but Yamaha USA didnt adopt it and continued to have the original YAS-62 made and offered in the USA. Also the bell had a notch cut out inside it that made the sound really project and spin. The internet is full of bad information and people looking to take advantage of consumers whenever they can. Im curious as to what people think about the 62 tenor when compared to the yani and selmer alternatives But I give the yamaha altos a solid thumbs up! Reba Abrassart Worth Well Selmer saxes as new are verrrrry expensive but if you were to look around on the second hand market you might be able to find one at a reasonable price; in my eyes theyre a little overpriced but I absolutely adore Super Action 80 II alto so I think it pays to shop around theyre certainly not everyones cup of tea. In particular, the quality of the craftsmanship how the saxophone feels in your hands, how your fingers feel on the keys is most notable. This would make distinguishing between designs easy. Hardly anyone walks in owning a bari, bass clar etc. I know that the Yamahas have a reputation for playing bright. I recently had the chance to test play the new Yam 62 alto and 82Z custom alto which were very impressive, even if a touch bright! See back then, Yamaha kept the series number of 6, which indicates a professional series (60 or 600 Series depending on the instrument) but made the logical succession from 61 to the new replacement model of 62. Im sure you have heard of the high pitch saxophones. I just received my sisters tenor sax. We also played with a German Band, Spanish Band, the British Royal Marines and the 1st Irish Army Band over the years, all without pitch problems. Now that was a great horn. The most in tune clarinet I ever played. She went on to play in the USC Trojan Marching Band. Thanks for sharing that, Carl! March 21, 2012 @ 4:42 am. Yamaha is known for constantly trying to improve their products. The 82Z series was designed specifically for professional jazz players, and it shows. I am an adult thinking of learning to play the sax. October 18, 2016 @ 5:43 am. The original Yamaha 62 Alto Sax debuted in 1978, replacing the older 61 Alto Sax. or the YAS-875EX? Sometimes Yamaha will make minor changes (revisions) to a model that would not warrant a full new model number or generational marking. March 22, 2012 @ 8:30 pm. Had Yamaha kept with this progression though, there would eventually come a time where the 68 would be replaced by the 69 and then eventually by the 70 and herein lies the problem for Yamaha. When the 62 first came out it was basically a Selemr MkVI copy. February 4, 2014 @ 2:42 pm. To quote Roger Eaton, Marketing Directory of Yamaha USAs B&O Division: The professional Yamaha YAS-62 and YTS-62 model saxophones have been the workhorses of the Yamaha saxophone lineup for over 30 years. They are: So, based on all of this information, the current YAS-875EXII with the Pisoni Pro Pads (which went in to production in 2019) should be marked as as the 5th version of the YAS-875 or is the 4th version of the YAS-875EX or the second version YAS-875EXII?So which is it? If you bought the instrument from us, maybe we track by official model changes in our own system, not revisions. To be perfectly honest, I havent tried the 61 series, so I cant really speak intelligently about those. Designed for intermediate players, the 475 series sound is richer with more body than the 23 series, making these saxes an excellent buy for Yamaha sax players who want to show off their growing skills. I have read this series is better than 62 series. Down the road, I may start thinking about a premium/pro horn and I will probably stay with the Yamaha line. It just continued to buy 1 or 2 as replacement horns for those guys who wanted them. So after 2 weeks the Yamaha Rep comes back and I get a chance to meet with him. It gives me room to play with. My son was able to demo several horns, including the Yamaha 62III, 82ZII, and the 875EX. Dont want them getting mad at me for referring you to them! They handed me brand new King Super 20 alto and tenor saxes. Oscar, thanks for all the feedback. Its one-piece design may come as a surprise to some, but its bright, even tone is all trademark Yamaha. Initially I went through some mouthpiece changes, but once I settled on the Beechler its been great! Eventually, Yamaha corporate moved production on to another Mark II YAS-62II that is the Mark II model that we saw in the USA. The budget-level soprano sax, the YSS-475II is perfect for the beginner to intermediate player looking to break into a new instrument. This constant quest for perfection can be quite confusing to the consumer as Yamaha does not make the process of figuring out the various Yamaha Generations very easy. They are trying to convince the Navy Music Program to buy more of their instruments. Besides combo gigs were usually inside at a reception or under a tent. For those who might be wondering, the YAS stands for Yamaha Alto Sax. carlos roda cid Just for your information Jazz tenor sax/clarinet player Ken Peplowski plays a Yamaha YTS 62. Get that tenor to a good saxophone repair guy asap. Ive only had minor things done to it. We bought it for her when we lived in Japan in the early 80s. They do it to convince you that they have the newest models and no one else does so that you buy from them. My YAS-31 does have pearl key touches as well , which leads me to believe its the same body tube as the YAS-61 made at that time . There are a lot of people out on the internet right now looking to use these sticker codes to trick consumers in to believing something that is not true. In a cluttered marketplace, the 62 clearly stands out as the best combination of professional features and affordable price. (source: usa.yamaha.com press release announcing the 3rd Generation of Yamaha 62 saxophones). So, all in all, if youre looking for a beautiful and reliable horn, Yamaha wont disappoint you. The YTS-61 was half the price and played great out of the box. So that was it, at that point the band did not buy large amounts of Yamaha horns en mass. By Doron Orenstein / A friend of mine dubbed the horn SHOGUN a great horn for the price. Thank you for the average prices! Stay up to date with the new product announcments and Special Discounts available only through our newsletter! I was told by 1 of the repair techs that an Admiral had told the Music Program that he wanted to see shiny horns. Yanagisawa makes some great instruments too. Although they make quality products-in most cases at least- I do believe its an issue of taste and design preference with them and other Japanese products. That way, we can compare everything to his current 475. The Yamaha 875 Custom that they gave me had a very bright sound, to bright. Due to its combination of performance, build quality, professional notoriety and affordability, the Yamaha 62 Alto Sax is one the best selling professional saxes to this day. He wants to replace his student tenor sax, Yamaha Vito 7131TK, with a used pro vintage tenor sax for $2000 or less. That in effect ruined all those beautiful sounding Mk VI saxes. It was really good and insightful. it is currently in storage somewhere in south Africa Well at this point the building was at 72 degrees. I have a YAS-31 alto with the purple logo on the very front of the bell . However because of the elements we perform in they were getting very weather beaten. Of the 3 others, he liked the 875EX the leastand then it was basically a tie between the 82ZII and the 62III. I have been playing it for two years now with difficulty. Now a few other experiences. I have a black lacquer Big Bell Stone Series Cannonball that I use as a spare. as for the tenor sax i now own 3 -Venus, Hanson t8, and my precious YTS62 == needless to say the Yamaha is everything they say it is ==but the point i make is this it was proof of the pudding is in the tasting.. unless you know trhe reliability of any given opinion, you can be persuaded of just about anything ,,to your COSTLY HORROR .not that they may be deliberately misleading anyone ,but all saxes generally differ from each other -even within same model ranges =and then there are the other variables mouthpiece, reeds, ligatures, tuning personal techniques,,, so i was blessed with the yamaha yts62 i got at a good price 1150 in near perfect condition [12 years old] BUT without the friendly and extremely helpfull staff at saxco london to guide me i would have continued making poor choices based on reams of reviews =there was no substitute for personal experience =they allowed me to see for myself the difference by a;;owing me to blow some wonderful instruments and then guided me to my own choice based on that so i will try for a YAS23 as i cannot now afford another 62 i hope it will be the right one [not a dud ] that i eventually get. It was gently used when I received it and I couldnt have asked for a better horn at the time. Now I havent have the chance to play another tenor so I dont know if its me or the horn. Art Manchester on both scores i found sax co to be very helpfull. I was issued a Yamaha 875 Custom Tenor Sax in my Navy Band in Norfolk,VA. The clarinet was 10 cents sharp. If you continue to use this site we will assume that you are happy with it. The sound is somewhere in between a Conn 10M and a Selmer Mk VI. The Yamaha clarinet did have a really nice sound. The body may also be bent. but am not altogether happy with the lewis ,hence the look into the YAS 23 OR VITO -LE BLANC I still have ways to go but I put in at least an hour a day. So go figure huh. In reality, they likely are getting you the current design, but the ethics reek. The durability of construction and quality of sound are legendary. Tom Colwell Man I could tell you stories but another time). I am glad I did. Doron Orenstein The modern yamahas are very free blowing and in my opinion you cant go wrong with the brilliant 62 or Z custom, I had the chance to try the Selmer Reference 54 alto today which was much easier to play than my own SA80 II but it cost a small fortune! Maybe brightness is a Yamaha thing all around- since even their pianos sound bright. The 62 is an excellent alto :) I think that its worth finding a horn that you like and then getting everything out of it before moving on, it saves a lot of money too! Since they sort their instruments by series (6 indicating professional), the inevitable jump to a new series number such as 7 could lead to confusion in the series designations. Can you tell me anything about this horn? It looked kind of like the inside of a Berg Larsen mpc. So on the YAS-875 Series, heres what the versions would be marked on the box: So to round out this discussion at least a bit on the other professional altos, the 82Z is currently in version // 03 which is a YAS-82ZII, with Pisoni Pro Pads. Specially tenor 61 saxes are good valued. Matt: From what you describe I would bet your horn is leaking really bad. I wanna play soul/funk/jazz and i am asking you if you could help me.. YAS 62 or YAS 480 is better sax for me? In a another post I will tell you about our experience w/the Yamaha product rep who lent us a bunch of horns for 2 weeks and how the band sounded when everyone played their loaner Yamaha horn on a gig. If you were thinking about buying new the yamahas are far cheaper than selmer and yani horns ( the A901 was a joy to play, I prefer the 62 but thats a personal preference ) . But I said now watch what happens when I play it. Having played other instruments of other brands and hated them, Ive always ended up getting a Yamaha. It plays different than the other Yamaha Pro horns. But wait, theres more On top of this, there was another international version of the Yamaha 62 Alto Sax that was called the Mark II that is DIFFERENT than what we in the USA call the Mark II. So whether you are fully in the know or are confused as all git out, we are here to help. Larry Weintraub Mostly this was the younger guys, especially the younger sax players. That goes for their musical instruments as well as electronics as well. In 66, I turned 17, and, in an effort to dodge the draft, joined the Army. March 20, 2012 @ 9:36 am. It might be worth going to your local music dealer and just seeing what mouthpieces they have The 62 is really good with almost any piece and its a fairly warm sax compared to other ones out there. Now you need to go back and tell the engineers to fix the instrument. With optimum intonation and an emphasis on comfort and durability, the 23 series is perfect to help new players get a hang of their instrument. In any case, if theres a second hand horn youre interested in then give it a try but never buy without prior testing :). Even if a product is widely successful, they tend to not just rest on their laurels but rather are always seeking to innovate and provide their customers with the best that they can. March 18, 2012 @ 5:30 pm. After a long e-mail to the Supply guy/Buyer for the Navy Music Program I convinced the Music Program to look into and buy the Keilwerth SX90R saxes. Wow, your horn has cancer doesnt sound good, but I guess that these horns really know how to take a lickin (no pun intended). I use this horn as a backup for my Mk VI. Now I said watch what happens when I put my Buffet Green Line barrel on it. In a cluttered marketplace, the 62 clearly stands out as the best combination of professional features and affordable price. (source: Professional Setup the Kessler Advantage, King Legend Series Professional Trombones, YAS-875EX Change in Design, new Custom EX branding, YAS-875EX (revised) Change from the G1 to the V1 Neck, YAS-875EXII Change in Design (hence new model number), YAS-875EXII (revised) Change to Pisoni Pro Pads, YAS-875EX // 05 Custom EXII with Pisoni Pro Pads. I got the Cannonball because it played similar to my VI and to a Keilwerth SX90R. Im actually looking into a new tenor because the tenor is the school,s horn and the school doesnt really have the money to get it fixed. So if they want to have big bands, show bands, rock bands w/horns and someone has to play bari they provide it. I believe right now they are making flutes and clarinets at A 442. July 20, 2015 @ 2:21 pm. During a Navy Band trip to NYC I was able to go around to the various music stores on 46th and 48th street to try the Keilwerth saxes. I heard him play at a gig in Va Bch and asked him why he wasnt playing his Selmer Balanced Action Tenor from the 30s/40s. Before that instruments were made with pitches all over the place. Serial number in the low 3XXX range . The Yamaha barrel looked to be the same size as the Buffet barrel when I lined them up next to each other on my flat desk surface. I have a YAS-200AD (which is no longer made) and am looking for a new (pro) Alto that has a darker center but is adaptable enough that I can match the brighter tones of the other instruments in the band. If your horn came through another distribution office (different area of the world), Yamaha USA wont have the record. One goo question would be: Are there other Japanese designed and build saxophones which produce a warmer tone? January 27, 2016 @ 9:14 pm. We always seek to keep customers informed and up to date with the best information possible, the truth! From what Ive been told and have seen Yamaha is trying to bring the pitch up to at least A 442. Im looking for a more warmer sound. The pro model w/the big bell and the fancy stones on the keys. Both sounded nice, but the Cannonball was a bit muffled (my termas Im not a saxophone guy) compared to the Yamaha. Doran, document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); This site uses Akismet to reduce spam. Doron Orenstein He may also want to check out the Keilwerth and the Cannonball Series of horns. March 5, 2013 @ 2:34 pm. Remember the building is cool. These revisions will commonly occur without the hoopla of a press release. Sounds like youve gained a tremendous amount of experience that most sax players dont have. There is a good possibility that this saxophone is over five years old and hasnt had any matinence. Sax News and Brand Overviews / Sam Holland Jr. December 15, 2012 @ 10:34 am. They tour the U.S., Canada, and Europe. I think that youll definitely notice a difference in sound quality if you move up to something more advanced, but I also think that you can go a pretty long way with the 23.
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